Let it Rock – June 2007
Whatever you might make of the Canterbury scene these days, it’s not the same anymore, there’s not much progressiveness in it now, which is not to say it’s worse than it was before – but Phil Miller‘s band were latecomers anyway. With a new album to mark the group’s 25th year in the business, they bring on the top-notch fusion, the title track wrapping round the listener’s ears like a cosy pillow to lay a head on and rest yet not sleep, only drift away. Save for brooding “Crackpot”, the main man tends to keep behind his reeds-blowing cohorts – veterans such as Didier Malherbe and Annie Whitehead as well as Simons Finch and Picard – for most of the time, and when he sends a tune to wallow amidst the waves of Fred Baker’s bass he also sends the shivers down the spine. Thus, the elegy that’s “End Of The Line” descends as a delicately electrifying sensation where Pete Lemer‘s piano sings so poignant. It’s clearly the effortless endeavour for the players, and all the better for it, so it’s tempting to rush headlong into the breezy romp of “5s & 7s” and do the groovy African walk in “Orinaca”. So whatever the conspiracy is the secret is not advised to be kept.
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